Hell To Pay
Viele übersetzte Beispielsätze mit "to be hell to pay" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. hell to pay translation English/German. Übersetzung Englisch-Deutsch für hell to pay im PONS Online-Wörterbuch nachschlagen! Gratis Vokabeltrainer, Verbtabellen, Aussprachefunktion.
Übersetzung für "be hell to pay" im Deutschthere'll be hell to pay Bedeutung, Definition there'll be hell to pay: 1. something you say that means someone will be very angry if something. Many translated example sentences containing "there will be hell to pay" – German-English dictionary and search engine for German translations. Viele übersetzte Beispielsätze mit "to be hell to pay" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen.
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Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Jul 20, Anna rated it it was ok Shelves: meh , modern-fantasy.
As a longtime fan, this is the book that turned me off to the Nightside series, and it's all the Griffon's fault. Well, not entirely.
Green has a noticeably repetitive writing style, not just in plot lines but in descriptions. The latter being the part that really gets on my nerves after this many books into a series, not to mention when the same descriptions are also used in the other books and series that he has written.
I mean, if every place is "so bad even the rats are only passing through," As a longtime fan, this is the book that turned me off to the Nightside series, and it's all the Griffon's fault.
I mean, if every place is "so bad even the rats are only passing through," where do the rats stay? And of course as soon as John opens up his third eye it's "as easy as anything" to do what he's wanting to do, so just go ahead and open it already.
And of course "their sum was greater than their parts," no matter what they are that we're talking about. Back to the Griffon, though.
The creative strength that kept me coming back to Green's Nightside series was his awesome ideas and descriptions. How he would seed something in with a few intriguing lines in book one, and hook you into wanting to know what that guy or thing was all about.
Then it would show up two books later and do something, and it would be awesome and already seeded into his world. Griffon was none of those things.
Where was he during the Lillith war? Or, you know, anywhere before this? If he was supposed to be so powerful and influential, why had his name never been spoken previously?
It was jarring, to say the least. On top of that, he was also just a lackluster character, alongside his whole family.
After seeing characters like Razor Eddie, Dead Boy, Father Time, Count Video, the Victorian Adventurer, the King of Skin, and many more intriguing and notable figures, 'immortal business guy with influence that is dangerous' doesn't really hook me.
It makes me feel like there are no ideas left. This book should really have focused more on the aftermath of the Lillith war, instead of kinda ignoring it.
It should have capitalized more on the rich Nightside back story and characters, instead of trying to make up new stuff from nowhere.
And most of all, it needed a really good hook to pull people back in after the impressive stuff in the last few books, and in my opinion, it just didn't deliver.
Mar 27, Indilee rated it liked it Shelves: fantasy. I'd say about 3. It was slower paced in comparison to the sixth book which I just finished not too long ago, but I liked that there was more of a mystery aspect regarding the immortals and getting to know all of them.
Taylor going through the Nightside to learn more of the Griffin family and what they're up to in order to find a missing member of said family was far more interesting than the romp of death and destruction of the last one.
This is clearly a transitional book though - I'd say about 3. This is clearly a transitional book though - kind of a one off feel where it's wrapped up but there's that question of "what now" after the whole thing, since the first six books had their story arc finished up.
Better than the last one but nothing spectacular. Since the story is told through first person point of view, it's clearly Taylor speaking this way and we're there to understand a potential confusion or uncertainty regarding the transgendered character and those around them.
They turn into a plot device and ultimately die for It's not the worst I've read, but it didn't sit well with me either.
This could be off putting to others though, who may be suffering from their own dysphoria and identify with this character, who ultimately dies.
Dec 30, Karissa rated it liked it. This is the 7th book in Simon Green's Nightside series. To me this book seemed to be very much a transition book.
Being that the 6th book capped off the over arcing storyline, it is not surprising that this book is a bit weak. I still enjoyed reading it; although it just wasn't nearly as good as Sharper than a Serpent's Tooth was.
In the aftermath of Lilith's War the Nightside needs a new leader and with John Taylor stepping aside; Walker is trying to fill that space.
If there is anyone who can This is the 7th book in Simon Green's Nightside series. If there is anyone who can contend with Walker it is the Griffin family.
A very powerful and immortal family the Griffin family is possibly in a position to rule the Nightside. Unfortunately when Griffin's granddaughter disappears John Taylor is called in to find her.
Someone very powerful doesn't want her found and is able to shut down John's gift in an effort to stop him. Looks like John's going to have to solve this case the old-fashioned way.
While this was still an enjoyable book; it was probably the weakest one in the series. The action scenes were few and far between and somewhat blase'.
The characters were weak. It was good to see Dead Boy some more but he wasn't there for much of the book. The main powers of the Nightside were notable in their absence.
Seriously this is the most boring of the Nightside books. It truly seems to be a transition novel, with everyone picking up the pieces of the Nightside after the Lilith War.
Unfortunately it seems like Green doesn't know exactly to do with everyone either. I have high hopes for the next book but if it is as dull and uninspired as this one, I might have to rethink reading this series.
Jun 27, Jaz Primo rated it it was amazing. Hell to Pay, the seventh Nightside novel in Simon Greens amazing series, was an excellent read!
The story harkened back to John Taylors roots, being a private investigator in the mysterious, and always irreverent, hidden world near London called the Nightside.
It was refreshing to see John back in his primary role as the infamous man who can find anything or anyone following the near-apocalyptic events of recent installments in the series.
In the end, Green has woven together a seamless mystery with a admirably-constructed surprise ending that neatly winds up all the loose ends.
Well done, Simon Green! View 1 comment. I can understand why some people had problems with this book after the adrenaline rush from the previous two books.
I, however, loved it, even though my favourite characters weren't in it that much and some not at all. It was nice and refreshing to have John solving a mystery after everything with Lilith and the time travelling and what not.
Looking forward to the next book! I really regret not reading these as they came out. Also, when the I can understand why some people had problems with this book after the adrenaline rush from the previous two books.
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Ten legendary Western stars are reunited in this action-packed tale of brothers at odds, one a decorated soldier and reluctant hero, the other a gambler who keeps company with card sharks Director: Chris McIntyre.
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Photos Add Image. Edit Cast Credited cast: Peter Brown Johnny Behan Jeff Davis